They also must tip out a chunk of their wages to various members of the club’s staff, who, in many cases, are paid a wage. On top of that, they generally also require dancers to pay a fee to work in the club, which can range anywhere from $20 up to $200. As noted above, most American clubs don’t pay dancers a wage, yet they still require these workers to show up for eight hour shifts a few days a week. One of the biggest issues with misclassification is a dancer’s lost wages. There are good reasons why strippers would want to fight for their employee classification. Instead, they present their workers with a “choice”, much like the one that was given to me, in order to avoid lawsuits. However, most clubs have not changed how they treat their dancers. In the past, to correct this misclassification, plenty of strippers have sued clubs, and in many cases, have won. Since then, American strip clubs have habitually misclassified dancers as independent contractors to avoid paying unemployment benefits, workers compensation, and related taxes. The practice of labeling dancers as contractors but still treating them like employees began back in the 1980s when the Mitchell Brothers O’Farrell Street Theatre in San Francisco stopped paying dancers a wage and charged fees to work instead. LeRoy confirms this in a 2017 study, where he found that in nearly every federal and state ruling on misclassification of dancers, judges have determined that strippers do indeed qualify as employees. All of these factors signify an employee relationship. If you’re treated like an employee, then you are an employee.”Īlthough the degree of control exerted by clubs varies, managers generally dictate a great deal about strippers’ working conditions, such as their hours, clothing, stage sets, how much money they can charge for dances, and sometimes even whether they can work in other clubs. A board member for The Adult Entertainment Union, Bob Maschi, confirmed this distinction: “It’s not the dancer’s choice to be an independent contractor or employee. Moreover, based on how the IRS website details the difference between these two categories, the choice of whether a worker is classified as an employee or a contractor is determined by the employer - not the other way around. Employees, on the other hand, have less control over their labor, yet are guaranteed a minimum wage, worker’s compensation, unemployment benefits, and the right to unionize. In exchange, they have no job security nor benefits, but can work for various companies and set their own hours. According to the IRS, independent contractors control how they perform their jobs. On the one hand, it seems that strippers would significantly benefit from proper classification however, a closer examination reveals that the question of whether or not they should fight for their labor rights is more complex than it seems.Īlthough there is still some debate around the classification of strippers in the United States, evidence points to employee status. Most authorities on the matter tend to agree that strippers in the United States should be considered employees, but clubs, for a variety of reasons, often mislead dancers into thinking the decision is up to them. But, as I later learned, this “choice” was deceptive. When he put it like that, the choice seemed obvious. When you’re an employee, we’ll take the profits from your dances and pay you a minimum wage, just like we would if you were a bartender selling drinks,” he explained. “When you’re an independent contractor, you pay a fee to rent the space and get to keep your profits. He leaned over the desk and pointed at two columns: “Here’s where you decide if you want to be an independent contractor or employee.” ![]() ![]() When I got to the last page, about employment classification, his demeanor changed. I tried to appear nonchalant as I flipped through the lengthy packet, but he could see that I was a little overwhelmed, so he casually outlined the rules of the strip club where I was about to start working as I read them over. ![]() ![]() Sitting down on a leather chair in front of a cluttered desk in downtown Philadelphia, a suited man handed me a stack of papers that detailed how much I could charge for a lap dance, what time I had to show up to the club, and how I needed to be shaved, primped, and dressed.
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Anyone that’s used the Grandmother understands that the panel colors expose the architecture of the synth, making it easier to understand and helping you build muscle memory for grabbing the knob you want to tweak. But the colorful panel is more than just an unusual paint job. The style of the Grandmother is distinctive, to the point that it was pretty divisive when it was introduced. ![]() But it is also one of the best keyboards ever made for beginners that want to learn synthesis. The industrial design is fantastic, making it a popular keyboard for pros. This brought those old-school circuits – and the sounds that they make – to everybody, not just people that can afford $15,000 modular systems. ![]() The Grandmother exploded the fixed design of the Minimoog and rebuilt it using patchable components, based on vintage Moog modular designs. The closest thing that Moog had to this previously was the Minimoog Voyager XL, which cost $5000. With the Grandmother, Moog created an original design that transformed a rare, niche type of synth – the fully patchable semi-modular keyboard – into an affordable, mainstream product. Like its other recent introductions, Behringer is not putting the Model 15 into production at this time because of parts constraints, so availability is to be announced. The Behringer Model 15 is expected to be priced at $299. MIDI implementation with MIDI channel and Voice Priority selection.16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony.Eurorack format – module can be transferred to a standard Eurorack case.37 controls give you direct and real-time access to all important parameters.48 patch points for modular connectivity.Fully analog LFO with 4 waveforms and dedicated controls for pitch, filter and pulse width modulation.Arpeggiator, featuring hold function and multiple playback modes for recording and playing patterns.Step sequencer with 3 separate 256-step memory slots, key transpose and multiple playback modes.Dual oscillators with 4 waveforms, oscillator sync, pulse width modulation and sub-oscillator.Semi-modular design requires no patching for immediate performance.Analog synthesizer with dual VCO design.But, while the original Grandmother incorporates an analog spring reverb, the Model 15 replaces this with a digital simulation. Like the Grandmother, the Model 15 also features a step sequencer and arpeggiator. In case there was any doubt about Behringer’s reference for the Model 15, they copied the Grandmother’s colors: The Model 15 has the same synth architecture and controls as the Grandmother, but moves patch points to the right side of the panel, as shown below. ![]() Here’s the front panel of the Grandmother: The Behringer Model 15 appears to directly copy the design of the Moog Grandmother, though, which itself was based on circuits from vintage Moog modular gear. The company says that the Model 15 semi-modular synthesizer is based on the legacy Model 15/35/55 circuitry, but with some added features. Behringer today introduced the Model 15 semi-modular Euro-format all-in-one synthesizer. ![]() Kudos to them for not going down that route (the same attitude that made 'Closed for Business' the lead track for the between-album EP), despite the potential commercial damage. It's probably the record Parlophone were hoping Six would be: throw in a couple of Six's singles and it's definitely more of an AotGL pt II than Six ever could have been. The Dead Flowers Reject, the Six b-sides album that got a 'proper' release for that album's 21st anniversary, is a real revelation and is an exceptional album in its own right. What they regained in energy they lost in originality, and I think it doesn't warrant a position more than a curio, in the grand scheme of things. Kleptomania has a few bright spots, but it's basically a bit of a meat-and-potatoes indie rock album and, despite Draper's knack for unusual chord changes, really feels like a band running on fumes. Still, 'Butterfly', 'I Can Only Disappoint U', 'Comes as No Surprise', 'Until the Next Life' and 'Goodbye' are as good as anything from the first two albums. It happened on the third Cooper Temple Clause album (a band whose career almost exactly mirrored that of Mansun's) and half of their fanbase turned their nose up, and it was exactly the same here. ![]() I'll never, ever understand record labels who force bands to become something they're not in the hope that it'll encourage sales. Little Kix is hugely flawed, but still shows that Paul Draper could come up with some great songs even in awful circumstances. Those shimmering slow-attack guitar chords in the final verses are stunning, and it's one of Draper's best vocal melodies. 'Cancer' is one of my all-time favourite songs, especially the second half from when the piano takes over. Six is a masterpiece, melding punk, prog, glam, post-rock, and electronica into a collage that manages to be utterly bewildering and hugely catchy at the same time. ![]() I knew Wide Open Space was one of the best known tracks, but for me it's always been I Can Only Disappoint U that I've come across in wider culture.Īttack of the Grey Lantern is basically like all the best bits of britpop with all the worst bits removed, and then a bunch of glam and '80s new wave stuff added. ![]() Trees and crops also may suffer bear damage. In Pennsylvania, black bears may scavenge for food in dumpsters located at roadside rest areas, restaurants, and campgrounds, and in residential garbage cans.Īctual economic damage caused by bears affects mainly beehives and corn, but bears are strong enough to tear open doors, rip holes in siding, break windows, and rip open tents to get food. Bears are attracted to human residences by bird feeders, garbage, and food left outside for domestic pets. Because of human movement into bear habitat and the bear's natural expansion of its range, bears and people are likely to come into contact with each other. Bears have adapted well to encroaching human development and can be found even in suburban areas. Bears are expanding into new areas, however, and can now be found in 50 of Pennsylvania's 67 counties. Description of DamageĪreas in Pennsylvania that best support bears are the mountainous northcentral and northeastern counties. Bears are not true hibernators but survive food shortages and cold weather through a period of winter dormancy, during which they may awaken and leave their dens in search of food. However, it is not unusual to see bears during the day, and this should not be a reason for concern. Three or four cubs are not uncommon.īears are primarily nocturnal animals, feeding and exercising at night and remaining relatively inactive during the day. In Pennsylvania, female black bears often breed at 2.5 years of age and have an average of 2.9 cubs per year. Cubs are weaned by late summer, but they usually remain with the female through their first year. Newborns are altricial (helpless, nearly hairless, with eyes closed). Cubs are born in winter dens in late January and early February. After mating occurs, implantation of the fertilized egg is delayed, and the embryo does not develop in the female womb until the period of winter dormancy. Males often travel extensively in search of receptive females. Bears are polygamous-the males mate with a number of females. Bears also have shown a propensity for human garbage.īlack bears breed during the summer months. Most vertebrates are eaten only as carrion. This diet is supplemented by animal matter such as beetles, ants, and bees. ![]() Almost 75 percent of their diet consists of plant foods such as fruits, nuts, acorns, berries, seeds, and roots. An understory of blackberries and blueberries attracts bears cornfields and abandoned apple orchards also are popular feeding sites.īlack bears are omnivorous and forage on a wide variety of plants and animals. Oak, hickory, black cherry, and beech trees provide the favorite mast of the black bear. In Pennsylvania, bear habitat typically consists of mixed hardwood forests. For dens, bears use cavities in trees, holes in the ground, or simply nests of leaves and branches. Prime bear habitat is characterized by contiguous forests that contain bogs, swamps, mountains, a well-established forest understory, and abundant mast (nuts and berries). General Biologyīlack bears are very adaptable and live quite well in areas populated by humans. Black bears are excellent tree climbers, and cubs learn to climb at a very young age. Occasionally, a male may weigh more than 600 pounds. Adult males weigh between 350 and 500 pounds, and females weigh between 150 and 250 pounds. Bears in the black color phase may have a small white patch on the chest. The black color phase is most prevalent in the east, and brown phases from cinnamon to blond are prevalent in the west. Their fur is generally uniform in color but not necessarily black. Black bears are the smallest and most common of the three bear species found in North America, and the only species found in Pennsylvania. ![]() LEFT thumbstick makes the drone fly forward/backward, and rotate clockwise/counter-clockwise. Mode 1 is used in Australia and most Asian & European countries).The RIGHT thumbstick makes the drone fly forward, backward, left, and right. LEFT thumbstick makes the drone go up/down, and rotate clockwise/counter-clockwise. ![]() When the controller is OFF, press and hold the flight mode button, LAUNCH/LAND button, and POWER button for three seconds to toggle between mode 1 and mode 2
![]() However, it’s important to keep certain details in mind. Subverting expectations is an art form that can help you create unique and memorable experiences. The whole scene serves as an example of how Breaking Bad manages to surprise its viewers at every turn while never losing focus on its characters' motivations.Īnother example would be in season 1, when the audience is led to believe that the main character is a good guy, but he quickly subverts expectations by killing a drug dealer and stealing his money. He then proceeds to effortlessly converse with the Neo Nazi leader while casually sipping on his beer, totally unphased by the danger he's in. The intense standoff quickly turns into an unexpected comedic moment as Walter White calmly explains his plan to free himself and Jesse from their captives by setting up a seemingly impossible chemical reaction with hydrofluoric acid. The audience expects a tense confrontation between our two protagonists and the Neo Nazis holding them captive, but the scene plays out completely differently. One of the most iconic moments in television history comes from this series when Walter White and Jesse Pinkman are driving through a desert with two hostages. This show uses this technique over and over again to create moments of great tension and surprise. Breaking Bad is one of the greatest pieces of art in recent memory and a master class in subverting expectations. When it comes to masterfully subverting expectations, few movies can compare to Breaking Bad. To illustrate these points, let’s look at what I consider to be the pinnacle of this style. Additionally, if done correctly, subverting expectations often leads to moments of great emotional impact-as when characters take an unexpected turn or when stories resolve in unique ways. The success of this strategy lies in how effectively the artist is able to build up tension and anticipation as they move away from the expected outcome towards something entirely new and unexpected. Once decided upon, they must work to craft a narrative or product that will lead them away from this path. But for artists looking to make the most of this technique, there are some key strategies that should be considered.įirst off, the artist must decide on a target expectation-the assumed outcome or interpretation that the audience has in mind. Masterfully done, it can create an incredibly satisfying experience for viewers and readers alike. When it comes to art, literature, and film, subverting expectations can be a powerful tool. This review aims to summarise the state-of-the-art research on aircraft and airport emissions and attempts to synthesise the results of studies that have addressed this issue. Many of these sources have received inadequate attention, despite their high potential for impact on air quality. Sources relevant to air quality include not only engine exhaust and non-exhaust emissions from aircraft, but also emissions from the units providing power to the aircraft on the ground, the traffic due to the airport ground service, maintenance work, heating facilities, fugitive vapours from refuelling operations, kitchens and restaurants for passengers and operators, intermodal transportation systems, and road traffic for transporting people and goods in and out to the airport. Despite the increased attention given to aircraft emissions at ground-level and air pollution in the vicinity of airports, many research gaps remain. This latter environmental issue is of particular interest to the scientific community and policymakers, especially in relation to the breach of limit and target values for many air pollutants, mainly nitrogen oxides and particulate matter, near the busiest airports and the resulting consequences for public health. Its impact on the environment is heavily debated, particularly in relation to climate forcing attributed to emissions at cruising altitudes and the noise and the deterioration of air quality at ground-level due to airport operations. Civil aviation is fast-growing (about +5% every year), mainly driven by the developing economies and globalisation. ![]() In the run-up to Cop, the secretary general of the UN, António Guterres, has urged countries to commit to tripling renewable energy capacity by 2030 and to phasing out fossil fuels with a clear timeframe.īowen told the Lowy Institute that Australia would play “a reasonably unique role in this conversation” because like Canada, “another traditional fossil fuel-based economy in the middle of a major transition and arguing for progressive outcomes in international fora, we can play the role of a country that is dealing with the practical implications of the transition each and every day”. He noted the International Energy Agency’s World Energy Outlook had “found that for the first time, peaks in global demand for coal, oil and natural gas are all visible this decade, thanks to the combination of growing momentum behind clean energy technologies and structural economic shifts around the world has major implications for fossil fuels”.īowen said Australia would support a tripling of global renewables capacity and doubling of global energy efficiency efforts. Bowen predicted this would be a “large, substantial and contested discussion” and Australia would be arguing for “stronger mitigation language”. Let me be even clearer, the world has changed a lot since 1992.” skip past newsletter promotionĪs well as the jostling over the detail about loss and damage funding, Australia’s climate minister said this year’s Cop would also include a global stocktake of progress. “Nor should the contributions of countries be set in stone either. “Just because a country wasn’t wealthy or was not a major emitter in 1992 doesn’t mean the same is the case 30 years later. “But the world wasn’t set in stone in 1992,” Bowen said. International loss and damage financing has foundered in the past because of disagreement between wealthy and developing nations about who should pick up the tab.īowen noted the principle agreed back in 1992 recognising that countries had “common but differentiated responsibilities” when it came to pursuing emissions reduction and combatting environmental degradation was the correct approach at that time. “Arguing that climate finance should come from as broad a donor base as possible is about maximising the flow of funds to help the developing world deal with climate change which is ultimately in all our interest.” ‘The world wasn’t set in stone in 1992’ “It’s time to have that discussion,” Bowen said. While he didn’t name particular countries, Bowen’s observation leaves open the idea that China, Russia and the Gulf states would make financial contributions to dealing with the impact of climate change-fuelled disasters – a position that will face resistance at the Cop. He said Australia’s objective was to ensure the new arrangements “delivered practical outcomes and maximum impact for the Pacific, and other countries who are particularly vulnerable to climate impacts”.īowen said the new fund needed to be bankrolled by “a broad donor base, including private and innovative sources of finance” and he signalled more countries needed to step up to their international responsibilities, not just the industrialised nations that have been required, historically, to make the larger contributions to climate finance. The government had already “contributed constructively to the design of the new fund and future funding arrangements” in the run-up to Cop28. Sign up for Guardian Australia’s free morning and afternoon email newsletters for your daily news roundupīowen told the Lowy Institute that Australia supported loss and damage funding – a concept that has been contentious for a number of decades. Given intensifying heatwaves, floods and droughts have taken lives and caused substantial economic damage around the world, the Cop27 summit in Egypt in November 2022 agreed to establish a “loss and damage” fund to help vulnerable countries rebuild social and physical infrastructure after extreme weather events exacerbated by greenhouse gas emissions.īut the details of the fund are not yet agreed. ![]() On the eve of the summit the UN has warned the world is on track for a “hellish” 3C of global heating. The newspaper is owned by Wilson Times Co. The Wilson Times is an American, English language semiweekly newspaper based in Wilson, North Carolina covering Wilson County. prints The Wilson Times, has and The Wilson County Phone Directory, and continues the Gold Press tradition of publishing books. building in downtown Wilson, North Carolina. It also had first-class commercial job printing, book and catalogue work plus ruling and bonding. days when it printed The Wilson Daily Times (1902) two editions daily, The Wilson Times – Tuesday and Friday – (1896) and Zions Landmark (1867) semi-monthly. The Wilson Times Company has evolved since it’s P.D. In 1983 The Wilson Daily Times moved to its present location, occupying a $2.6 million 30,000 square foot building that included the latest in electronic editing and classified systems, as well as expanded facilities for all departments. He was named president and publisher on Mrs. Morgan Paul Dickerman III joined the company as vice president in 1979. Swindell was joined by her daughter, Margaret Dickerman, in overseeing the operations of the paper. Swindell purchased an adjacent 40,000 square foot building and installed a new 40-page capacity offset press.ĭickerman remained associate publisher and general manager of The Daily Times until his death in July 16, 1974. Beginning in 1959, DIckerman assisted in three major expansions of the paper, and in 1967 he and Mrs. In 1957 Morgan Paul Dickerman II of Wallingford, Conn., joined his mother-in-law as associate publisher. In her spare time she likes to spend time at the beach and cheering on the NC State Wolfpack. This transaction made Elizabeth Swindell the sole owner of the paper, which she served as editor and publisher until her death in 1983. Wilson Medical Group was founded by Dr Kerrie-Anne Heron in. Swindell announced her purchase of the paper from the Brauff family. Swindell a one-fifth interest to continue in that position. His daughter, Elizabeth Gold Swindell, was the paper’s business manager. Even after his retirement, Gold visited The Times frequently and continued to take an interest in its progress and expansion. Gold remained active until 1946, when the newspaper was leased by H.D. Gold founded The Wilson Times, a weekly newspaper, which later became a semi-weekly, and then, in 1902, became The Wilson Daily Times. Gold, joined his father in the company, which published Zion’s Landmark and operated a job printing shop. Gold, pastor of the Wilson Primitive Baptist Church. The Wilson Daily Times is the offspring of the Primitive Baptist publication, Zion’s Landmark, established in 1867 by Elder P.D. From humble beginnings in a building on an alley behind the county courthouse, the Daily Times had overcome competitors and become one of the few surviving family-owned daily newspapers in North Carolina.Ī year later, the newspaper leaped off the printed page onto the Internet’s World Wide Web at. 18, 1996, with a gala celebration and open house. The Wilson Daily Times celebrated its 100th anniversary Feb. About us More than a newspaper, a community institution ![]() For more information please call 610.725.9000. Nectar is located at 91 Lancaster Avenue, Berwyn, PA 19312. The Garden at Nectar, Berwyn, Pennsylvania.Lancaster Farm Fesh Cooperative, Lancaster, Pennsylvania.True Leaf Farm of Kimberton, Pennsylvania.Sawmill Brook Farm of Greensboro, Vermont.Christopher Curtin of Éclat Chocolate, West Chester, Pennsylvania.1091 Lancaster Ave, Berwyn, PA 19312 (610) 725-9000 Website Order Online Suggest an Edit. Gerard Olson and Daniel Endicott of Forest & Main Brewing Company, Ambler Pennsylvania Latest reviews, photos and ratings for Nectar at 1091 Lancaster Ave in Berwyn - view the menu, hours, phone number, address and map.Allen Van Anda and James Griffith of Lost Nation Brewing Company, Morrisville, Vermont.Max Pfeffer of Mantawny Still Works, Pottstown, Pennsylvania.Bill Tambussi of Philadelphia Distilling, Philadelphia, Pennsylvania.Todd Hardie of Caledonia Spirits, Hardwick Vermont.Samuel Kennedy and Matthew Hettlinger of The Farm at Doe Run, Unionville, Pennsyvania.Catherine and Al Renzi of Yellow Springs Farm, Chester Springers, Pennsylvania.Sue Miller of Birchrun Hills Farm, Birchrunville, Pennsylvania.Mateo Kehler of Cellars at Jasper Hill Farm.This event is $125 per person (includes tax and gratuity). Enjoy an abundant variety of dishes created by our artisans from regionally sources ingredients.Ī portion of the proceeds will benefit Greener Partners of Collegeville, a non-profit organization that strives to increase and strengthen public access to fresh, seasonal and local food. Guests will have the opportunity to compare and contrast what Jasper Hill Cellars does best with prized Philadelphia-area creations from local cheesemakers, distillers and brewers. ![]() for an exploration of America’s best culinary artisans. Bayley Hazen Blue by Mike Geno (Join Nectar Executive Chef Patrick Feury and Vermont’s Kim Werner of FarmPlate, Thursday April 16, 6:30 p.m. |
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